Anomalocaris canadensis Part One: Sketch

And in this corner, the bastard of the Burgess, sixty centimeters of spineless savagery, Anomalocaris canadensis!

Here's the first entry in my next series of prints. The initial goal is to do one animal from each of the main geological periods with the finished prints showing the animals at roughly life-size. I'm starting with the Cambrian but then I'll be jumping to the Permian for a Lycaenops, a yard-long gorgonopsian.

While I do want to do a dinosaur or two, part of the reason for the project is to show off some animals that don't get the same kind of love the dinosaurs do. I might do a simiosaurian from the Triassic... Heck, maybe I should skip dinosaurs entirely. But I want to do a psitticosaurus and a small maniraptor and... Decisions, decisions.

That said, I know there have been a lot of reconstructions of Anomalocaris done over the years. But hey -- what else in the Cambrian is big enough to make a good art print? Huh? Huh?

So now it's time to take this pup into Illustrator and start rendering it. I just hope I'm able to do all the final color rendering in Illustrator but there's a good chance I'll need to do some finishing work in Photoshop as I did with the Pterygotus buffaloensis drawing...

Pterygotus buffaloensis

This is Pterygotus buffaloensis. They found parts of one this year that suggest the specimen in question was about nine feet long. That's too damn big for an arthropod -- and that's just the biggest fossil they've found. God only knows what the real monsters were like. I regret the fact that long after I completed this I found a photograph of the fossilized claws of one specimen look much cooler than the ones I drew -- they were just coated with nice grabby spikes. And thanks to my crappy file management I don't have a version I can correct. Ah me and oh my.

Well, I had my first session in the print lab at school last Wednesday morning and this was the first large-scale print of my work. The print is twenty inches by a bit over twenty-one inches and I've got to say that seeing it was a real moment for me.

The image was rendered using a combination of Illustrator and Photoshop. After making the initial sketch I drew the shapes and laid down a basic field of color in Illustrator, then rendered them fully in Photoshop.

This is a bit of a dry run for one of the art shows that I'm developing -- or rather, now that I've gotten a tiny bit of information on art shows, two shows.

Both shows are going to be based on the idea of producing life-size images of extinct animals for display in a gallery environment. The first show will feature orthogonal images -- either side or back views -- of animals that are small enough to be shown in full on a print that I can fit into my storage drawer in the lab. The sizes of these prints will vary in order to accomodate the size of the animal in a pleasant composition. Right now I'm planning on doing the rendering entirely in Illustrator -- I want to own that program the way I own Photoshop.

The next show will feature parts of larger animals that I'll fit into a standard size, probably somewhere around two by three feet. Again, they'll be rendered at life size. We might see the feet of a big theropod or sauropod, the head of a hadrosaur, a section of a Dimetrodon's sail, etc, etc.

Of course this isn't the first thing I'm going to be working on so far as art shows go -- further information tomorrow.