This observational drawing was done entirely in Illustrator using the pencil tool. That's why it's so crude -- no sketching, no preliminaries. I kinda like it -- and it was neat to be able to go back after drawing and adjust things like line weight. Further experimentation seems called for...
So after missing a week of school due to the combination of illness and whaddaya call circumstances I'm back in classes. Not too far behind, thank goodness.
Digital Printmaking is a weird class -- it's actually an advanced Photoshop class that allows you access to high-end digital printers. Periodically there are going to be critiques of the prints you've produced. I'm really enjoying it but I'm gonna go broke making prints. Still, at two-fifty per square foot for photo glossy prints it is a bargain.
Digital Drawing, again, isn't what I expected. I thought that I'd be taught Illustrator -- instead, you teach yourself Illustrator during your lab time and the class itself is devoted to fine art with a focus on critiques of homework and viewing works that -- regardless of the medium they were created with -- could have been done in Illustrator. To be honest I find this sort of thing frustrating and challenging -- and I always benefit from it in the end. So I'm gritting my teeth and girding my loins...
2 comments:
Exactly. Why haven't you seen any digital art on my blog? I can't figure out how to use the damn tools, and nobody will teach me!
Hey, Zach, tell you what. I'm not half-bad at Photoshop and I do know how to get a picture out of a vector program like Illustrator or Expressions.
If you're really interested we could try an experiment and see if I could walk you through a digital piece -- it would take a little patience, of course, but hey.
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