Tuesday, April 19, 2011

First Hubris Of The Spring

Her great complaint is my negativity,
but see how she reacts to a little optimism:



The Oaf: I just had a horrible realization.

The Missus: Well, stop it.

The Oaf: You know my ringer thing?

The Missus: Ringer thing?

The Oaf: I sit up in my room and work on my shit and feel lame and useless, and then when I feel ready I take it out to a classroom or a workshop and--

The Missus: -- you're a ringer.

The Oaf: The last class I took, the teacher actually used the word ringer, right there in front of God and everyone.

The Missus: Well, yeah.

The Oaf: Well, I'm feeling pretty good about the novel. I'm feeling ready.

The Missus: ........................ you, you ................YOU. ......................... You can't......... There aren't...... Who says.... There aren't standards!

The Oaf: There are.

The Missus: You can't be a ringer with a novel!

The Oaf: Just watch me.

Monday, April 18, 2011

Mystery Factor P


Some months ago, the recliner that's at the heart of my work station broke. I was sitting up, there was a *snap* and a tiny piece of metal flew clicked against the bookshelf, and the chair froze in place, in-between a reclining and a sitting position.

When I purchased the recliner, I did so on the basis of the way it felt. It's the only piece of furniture that's ever fit me. I'm big, my body is a bit odd, and I don't really fit anywhere. Except in this recliner, which is exactly right. It's the only piece of furniture in the house that isn't bad for me.

But since it's broken, I've had to spend my writing time in a position that's been screwing up my neck, and I've had to spend too much time laying down in bed and on the couch so my low back has been screwed up as well.

And this is one of the reasons why my back went out on me when I was sitting in waiting rooms to get psycho pills.

Anyway.

The reason it took so long to get my recliner repaired is that the parts had to come from Norway, and I think they took the long way round. But now my work station is functional again.

And last night I lay in bed and thought about how strange it was not to hear my neck making horrible deafening cracks transmitted straight through the cerebrospinal fluid, and not to have shooting pains in my low back and right hip and thigh. It gave me a peculiar warm sense of well-being.

Then it struck me.

I do not like to bitch about my chronic pain because if I were to start, I might like it so much that I couldn't stop. I do not even bitch to myself about it most of the time. So I ignore the pain.

But to tell the truth, it's a major factor in my life. Weekends hurt more because I sit down when I play music on Friday evenings, and I ride in the car with the missus on Saturday and Sunday mornings. I recover over the week, especially if I get chances to take walks. If I fetch groceries from the store, or get a couple of books from the library? More pain.

And it all adds up. It's like money, and I'm always in debt. And if I get too far into the red?

I have to lay down. When my back first went out, I was in bed for more than a year. Went down to a hundred and forty, hundred and forty-five pounds, which at six-three made me a nasty spectacle. This is one of the reasons I did not love the movie Seven. Shit got a little real for me.

What's really interesting is that my resistance to the pain is very much a matter of will -- and as a result, when my will weakens, my perceived levels of pain increase.

What I wonder now is whether or not increased levels of pain can increase my stress levels even if I'm able to shrug them off and keep functioning. I know my pain levels have been bad for a while now...

And that has me thinking that I need to take better care of my back, and investigate getting a cortisone shot, see if that helps.

The missus -- and for that matter, all the public health people I spoke to -- asked, "What's different? Why are you having a crisis now?"

Part of it is pain, and that may be more important than I've previously considered. I mean, don't get me wrong, my chronic pain is not a tragedy. Lots of people have it worse than I do. Most of the time I don't even notice it, really. I actually have to go to an effort to recognize it if I'm doing well.

But I can't tell you how good it feels to have my work station functioning again.

What was it the Romans said? Mens something... A twisted mind in a fucked-up body? And a decent chair to hold the whole mess in one place.

Thursday, April 14, 2011

The Zappa Test And Stream-Of-Consciousness

There's never going to be a good excuse for Larry-hair Yoda, so here he is anyway.



The novel is back in play, finally, and the word from some of my long-term readers is that I'm working at my best. The current draft is written at distinctly higher level than any of my previous fiction. Part of my recent non-productivity has actually been due to the mental effort of improving my work. Sometimes you just need to lay around and obsessively dwell on the details. Figuring out how every event in the story fits into the background I've developed took a lot of thought, but I think the end results will pay off.

But the real reasons for the improvement lie in two areas. One is that I finally understand the basic story structure -- it's a pair of intertwined narratives, one dealing with a haunting, the other with quest fantasy in a bizarre otherworld. Each of these forces the protagonist into further contact with the other, until both intersect at the climax.

And once I really understood the shape of the story and the rules and reasons of the fantasy element, all of a sudden it became work to keep a lot of important characters and scenes in the novel.

So I took them out.

I wrote the living hell out of that shit, polished it for years, and as soon as I realized those characters and scenes did not serve the story they started to irritate me. To bore me.

So out they went. Because they failed the Zappa test. If you listen to too much Frank Zappa, you start realizing that his big complaints about the human race is that they waste your time and they fail to convey. I do not want the Vaprous Non-Existent Shade of Zappa making snotty remarks about my work, so that shit had to go.

It's like I cleaned a bunch of barnacles off the hull.

I also made a fairly major discovery. This is one of the big secrets, and frankly someone should have told me about this a long fucking time ago. There's an odd buzz around first-person present-tense. This particular mode is strongly associated with literary fiction, and I've always wondered why.

It's because it's the tense of stream-of-consciousness writing. This is my first extended effort at stream-of-consciousness, and boy, has it been a motherfucker. It turns out that I had been unconsciously engaged in an internal criticism of a certain type of conventional fictional language, and this brought it to the surface.

This is the language that is used by a storyteller addressing an audience. Once upon a time, and then, meanwhile, so they, the end. These are just the tip of the iceberg. My suspicion is that they originate in oral storytelling.

But in a printed narrative, they are either an artfully used affectation or a sort of tic serving no useful function. Instead, they not only waste time, they give the reader a dig in the ribs so they don't forget that this is a story.

When you work in stream-of-consciousness, you are forced to consider every word you put down as a thought. The end result is that the reader is presented with something resembling a found object that must be interpreted. Because of this, conventional narrative language sticks out as artificial and corny. Lame.

That doesn't mean that stream-of-consciousness is closer to reality than a conventionally-told story. Rather, it operates at a more sophisticated level of artifice, and makes a more sophisticated set of demands. Small details become crucial, and a careless or hasty reader will lose out big time.

This essential approach is not restricted to stream-of-consciousness, and I've been moving toward it in my fiction for some time now. But stream-of-consciousness laid it out for me, made it obvious.

Why didn't someone tell me about this?

Wednesday, March 23, 2011

Hand Scrawls 'O.K.'

There's some great art out at the Albany Bulb these days, but it's a shame to see the ruins of those great paintings by Sniff.

They were sort of Bosch does Bukowski, with a circus theme, and I think they were executed in house paint. These days the panels they're painted have graffiti all over them, just tags and not even good ones. Oh, well.



I recently received a message on Facebook from a cousin of mine expressing some concern that I haven't been posting. It struck me that there might be a few other folks out there who might want to know what's going on.

First off, I'm doing much better. "I can tell just by the pitch of your voice," my dad said. "When you're feeling okay it drops an octave." The missus is quite relieved. It turns out that she was considering taking me to the hospital while I was detoxing from the meds. Oh, that would have been interesting.

I've established a pattern of sleeping that, while not optimum, is functional and seems fairly stable. And last night I slept right through for the first time since the anti-psychotics.

I'm mostly over the meds, thankfully, but there are some lingering difficulties concentrating, a few weird little intimate issues I'm not particularly enjoying... Ugh.

The difficulty in concentration is the main reason I haven't been posting. Writing is thought made concrete, and my thoughts have been variously flustered and bedraggled. It's been kind of like walking through a flock of muddy pigeons with an open mouth, and that metaphor may serve as an example of my recent writing.

But I have been doing some good writing as well. The novel is progressing, but it's going at a horrible creeping pace. And my decision to keep it out of my writer's groups is starting to feel weird and forced and uncomfortable.

Of course, part of that is my need for support, for validation, for a soft murmuring chorus saying, "Yes, you're a writer, yes, you're a writer."

Still, I think that I'm going to change my mind about that decision. Or, rather, I have changed my mind and I lack the fortitude of my convictions, and need to build up a little steam before I act.

I also have a number of blog posts in the works, but I'm starting to face an ugly fact. I want to put better-written material up on the blog, but once I start putting real work into something, I start wondering if I'm an idiot not to try and get money for it. As a result, the story of a memorable beating I received in high school is now being polished with a wistful eye cast toward Salon...

Right now I'm considering my alternatives for counseling or therapy. Under optimum circumstances I'd be in long-term analysis with a psychiatrist, but that isn't really an option for someone in my economic position. I've been considering Alanon, because that's for folks raised by drunks (and so on), I've heard good things about group therapy. I just need to get out there and experiment...

... but I ain't feeling that daring at the moment.

Right now, more than anything else I feel lost and confused and easily tired. The events of this last winter have changed the structure of my life and I'm still figuring out what to do. Out of school, disabled, nearing fifty, career plans derailed by serious health concerns in a collapsing economy.

These are scary facts to be facing, folks.

On the other hand, I have ambitions and the time and means with which to realize them. The idea that I can make a living with my art and writing is not an absurdity. I am surrounded by people who love and care about me. I am not in danger of winding up on the streets, and despite my financial situation I live in conditions of real prosperity -- I eat well, and sleep comfortably.

Right now I'm hunkering down, breathing deeply, struggling to get back to work, and trying to figure out my next move. I'm rough but I am definitely on an uphill slope.

Just so you know.

Tuesday, March 1, 2011

With Forks And Hope



So rather than wait until I felt in full fettle to begin working on the novel, I threw myself back into it about a week ago. Progress has been slow, frustrating, rewarding, enlightening, and terrifying. On the other hand, that's what it's like doing anything these days.

As I mentioned in previous posts, one issue I'm dealing with is the realization that what began as a story addressed to a third party has transmogrified into a stream-of-consciousness piece. As a result, the book has gone from first-person past-tense to first-person present-tense.

I'm finding that this it an intensely bullshit-sensitive approach, and that as a result I'm seeing that a lot of what I'd written was bullshit -- "Okay, here's a half-page of intense description because the book is just starting and I don't have anything good for you yet." "Here's an obligatory bit of backstory that the protagonist would never spend time recollecting in a million years."

This is great -- but it has also led me to question the need for a particular sub-plot and pair of characters.

The thing is? These two were where the damned story started, and were only gradually pushed out of center-stage by degrees. In fact, in the whole big novel, the trilogy, they are central! Pivotal! They provide the continuity between this volume and the main part of the work!

Plus, everyone loves them. Quotes get read aloud at writer's group meetings, which is always fun. And they serve a function if the story is regarded from a mythological standpoint...

But I think they might not need to be there. I need to take a close look at the outline and see what happens if I just take them out. I think the story becomes stronger and more direct. And shorter, damnit, but what can you do?

The big change, however, has been organizational. The affectation of numbered chapters with titles, as fun as it's been, doesn't work in a stream-of-consciousness piece. But since cuts are needed, there have to be points of division in the story. As a result, I'm writing a series of short subsections, much shorter than the length of the chapters that have been the organizational unit of the work until now. The rhythm is totally different, since each subsection needs to have its own rise, fall, and conclusion, rather than the deliberate build to a cliff-hanger that was standard with chapters.

It makes for a snappier pace, but it's acting to further compress a fairly dense work. This is why the bullshit is showing.

I'm also reminding myself that this is the start of the process. The real issue is not the plot. The real issue is hitting the stage of full engagement with the work. Right now I am luring that out as if it's the fucking Snark --

They sought it with thimbles, they sought it with care
They pursued it with forks and hope

They threatened its life with a railway-share

They charmed it with smiles and soap.


Man, though. The next time around, I'll start working with the idea that I'm writing a novel right from the start. Now that I think about it, it's not so much that I set out to write this novel as I was mugged or hijacked. Oh, well. Inspiration is almost as useful for shaping a life as addiction.

The next book I write will be easy, and simple, and pleasant. I swear.

Monday, February 28, 2011

Forty-Seven And Counting

Thanks to Deborah for the photograph.

So today I turned forty-seven. It is time to take a deep breath and remember that despite my current drama, this last year has seen accomplishments including my first professional fiction publication and my first reading. I've made new friends and allies, discovered new talents, and received praise and encouragement from people whose work I've admired since long before I began to take my art seriously. There have been deep and lasting changes in the way I regard and treat myself.

So here's what I need to do in the coming year.

First off, I need to put more effort into developing methods for coping with stress and anxiety. I was speaking with the missus about my goals for the coming year, and she said I should put this on the top of the list. She's right.

Professionally? At the very minimum: I want the novel to be in the hands of editors and agents before my next birthday, I want to put a portfolio for a show based on my art for Swill in the hands of gallery owners and agents, and I want to put a portfolio of my paleontological art into the hands of children's book publishers and agents.

Personally? Right now, I am at sea. Everything from the way I eat to the way I dress and the music I listen to has been going through major changes. The things I did for fun are starting to drop away from me, and I'm not sure what to replace them with.

In other words, my sense of identity is in a state of flux. Who am I and what am I for? Right now I do not fucking know, and my circumstances are changing so rapidly and unexpectedly that there is no way for me to predict how things are going to end up.

So all I can do is work hard, and make sure that work gets in front of people who can get me money. My old editor from the Mondo days told me a while back, "You aren't a wannabe, you're a professional who hasn't been paid yet." She's right. This year, it's time to start changing that.

I may feel lost, I may not know who I am right now -- but I have work, and I have purpose, and if I pursue those honestly and earnestly, then things will probably work out for me. Just have to keep on going, one page at a time.

Wednesday, February 16, 2011

Riding The Bummer Train


The missus put her hand on my leg and looked up at me. I could tell from her expression that I’d done something sweet, though I couldn’t imagine what. When she spoke, her voice was gentle.

“You’re like a wild animal that’s really friendly because he knows he’s sick.”

Oh. Okay. Not what I was expecting, but fair enough.

It’s been a rough winter, and this last week may have been the worst. The whole thing started around the end of November, start of December, when I had a lovely bout of vomiting blood for three days and nights before being carted off to the emergency room. A dose of morphine, five tranquilizers, and half a gallon of saline later, the diagnosis is given.

Stress.

Throughout my adult life, I’ve had periodic stress-related health crises. Eczema, spastic colon, tremors and tics, things of that nature. They typically present as being serious medical issues before being revealed as stress reactions. So this wasn’t as much of a shock to me as it might have been to someone who hasn’t been through the mill.

(I have to confess to a certain admiration for the directness of this maneuver – let’s just pump blood directly out of the body in as dramatic a fashion as possible. Well-played, brain. I didn’t know you had the nerve.)

I agreed to go to a public mental health clinic, and to do what I was told. I promised full cooperation. I delivered. Here’s how it turned out so far.

The nurse I first spoke to told me that I had to regard myself as having an allergy to stress, the way some people have allergies to peanuts. The first doctor said I had PTSD and OCD and bipolar, and put me on two anti-depressants and an anti-psychotic.

I had some strange and unpleasant reactions – which were predictable, to a certain degree. I had a couple of days of butt-kicked lassitude, and then I began to feel as though I were coming down from speed. I ground my jaws, counted my teeth, and began rubbing my tongue raw. My thoughts raced pointlessly, and I found myself pacing or freezing in thought for extended periods of time. For a number of days, I had to exert conscious effort in order to slow my speech enough to talk to people. I was completely incapable of working – the irony being that I’d just been offered some work, which I started, and then had to apologetically turn down.

Hell, I haven't even been able to blog.

In my entrance interview for counseling, the interviewer suggested that I have an overall workover, that something like brain damage might be my real problem and I needed to have an EEG done at some point. When I mentioned this to my dad, he suggested that fetal alcohol syndrome was a more likely candidate.

The next doctor I spoke to thought that he spotted a light dose of fetal alcohol poisoning in my features. He reduced the dosage of one of the anti-depressants. But in the following days, my symptoms of agitation continued to worsen. I found myself obsessing over aspects of my life that were difficult, unsatisfactory, or unresolved, and on that basis set out to screw up a few relationships.

Then I found out that I’d blown a planned trip to a writer’s workshop by mistakenly and persistently misreading the date over a period of months. This was exactly the kind of boost my self-confidence needed at that point.

So that brings us up to this last week. The last time I’d gotten my pills, I’d been given a list of clinics in Berkeley that I should go to. Being a cautious fellow, I made my first trip with a couple of days worth of pills to spare.

This was good thinking. The first clinic I went to responded to my presence with a look of cold horror, as though they’d never seen anything like me before. A few phone calls were made, and I was told to go to another clinic.

So the next day I go to the other clinic, wait for it to open, sit in the waiting room, patiently take my turn. Well. It turns out they didn’t have a shrink at that clinic. (Didn’t keep the doctor from telling me that all I needed was tranquilizers. Jotted down a few recommendations. It was at this point that I realized that every doctor I spoke to was going to have a different opinion.) They told me to go to a third clinic.

This time I’m smart. I call first, and find out that I can’t do a drop-in, I need to register, and then make an appointment. I moan, because I have one day’s worth of meds left.

Doesn’t matter. The next morning when I get up, my back had gone out from the time spent in waiting rooms. I am not going to be able to go to the clinics, period. There is a certain point in physical pain where you just ain't gonna, where if someone says, "The couch is on fire," all you can do is hope they move your legs. That's where I was at.

Which meant that I just had to go through cold-turkey withdrawal from three different psychiatric medications. The first night of total sleeplessness was made almost bearable by the continual flow of visions of jeweled masks made from living insects; if it weren’t for the hot flashes, shakes, sweats, and smothering waves of anxiety it almost would have been a good time.

I have spent the past five, six days riding the fallout, feeling the radical restructuring of my brain chemistry. The worst is past, but it was pretty bad there.

This brings us back to the moment with which I began this post. When the missus lovingly compared me to a maimed animal.

Look. I never have easy winters. But this is ridiculous. I have completely lost track of myself. When I entered the process of treatment, I did so under the threat of, well. Puking blood until I died or something comparable. But those close to me have been counseling treatment for some time, and this last year the missus joined their ranks. This has been due for a while; I was just hoping it could be delayed until I got onto some kind of regular health care.

The problem is, is that the timing was perfectly off. To begin a process like this during the winter, while I was between creative projects, was a request for trouble. And the types of medications I was given are thoroughly inappropriate for someone who may not have reliable access to care. I was thoughtlessly put into danger of withdrawal. The initial request that I made for medication – sleep aids and tranquilizers to be used on an interventionary basis, with some protocols established so I know when to use them – was the proper one.

But the real issue is that on entry into the system I began to view myself as a mystery to be solved. We – doctors included – are trained to look for the problem and the solution in situations like this. If I can be given a nice straightforward diagnosis, then we’ll know how to proceed.

It’s bullshit, at least for me. If I have one clearly diagnosable condition, I have half-a-dozen. I am too weird and complex to respond predictably to medication. And I’m also close enough to working so that an extreme response is probably not appropriate.

What I’ve forgotten is that under the proper circumstances I am a functional human being. I am not a collection of symptoms, I am not a disaster, and I am not a hard-luck story. It’s hard to remember that when I’m dealing with the health system, which is why it’s been so unhealthy for me.

I need to find out how all this affects my status, but from this point on, I can't let the doctors determine my treatment until I get a permanent physician. None of them are going to know enough to make a reasonable decision. It's hard for me not to assume that they know best, but in this case? They don't. They can’t. And I need to tell them that.

I have never gotten solidly good results in my life by attempting to tackle my mental illness head-on. Rather, it’s best if I focus on making positive improvements in my life in general, and allow my mood to trail behind my activities in importance.

Right now, rather than focusing on my difficulties, I need to get a grip on myself and return my life to its proper focus. I have allowed myself to become lost, to spend my days desperately trying to make the time pass until I feel well enough to be myself again. This could be the usual winter blues as much as the current shenanigans, but it needs to stop.

It’s time for something good for a goddamned change.